The angles, the scripts, the creators and the finished ads for Meta and TikTok. About a fifth of what producing that costs you today.
Strategy agencies hand you a deck. Production shops build only what you brief. You end up managing the gap between them.
No fixed package. What an account testing thirty creatives a month needs is not what one testing a hundred and fifty needs, so the team is built to your volume and format mix, then grows with it.
Not a specialism you bolt onto three other suppliers. The strategy, the statics, the video and the testing all come from the same people, which is why they stay consistent.
The angles worth testing and why each earns a slot, read from your account and your category rather than guessed at.
Feed ads, story ads, carousels and motion graphics, built to your brand system and made for the placement they run in.
Creator led video, founder pieces, product explainers and cut downs. Shot, edited and finished on our side.
Hook variants cut as their own creatives, and winners rebuilt properly before they fatigue instead of cloned until they die.
One concept reversioned for Meta, TikTok, Shorts and retail media, so the surfaces you never had time for get covered.
Campaign and flow design for DTC lifecycle, built to match the ad creative so the whole funnel looks like one brand.
There is no premium tier for video and no surcharge for motion. Anything on this list costs the same per creative.
Not one asset resized four times. The pacing, the hook and the framing change per platform, because what holds on TikTok does not hold in a Meta feed.
Statics, carousels and video across every placement, with hook variants built to be tested against each other rather than guessed between.
Creator led and sound first, cut to the rhythm the platform rewards. We shoot and edit for TikTok as its own format, then adapt to Meta, rather than the other way round.
The same concepts reversioned for the surfaces most brands leave uncovered because there was never time to make them.
Creative gets produced one of three ways and every one has a number attached. Most brands have never added theirs up, because it sits across payroll, invoices and somebody else's time.
A designer and an editor, fully loaded, and two to four months to hire each one.
Statics at the low end, video at the high end. You become the creative director.
Usually twenty to forty assets, against a quota you overrun or never use.
Those ranges are published industry figures, not ours. Put your own number beside them before you read the next section.
The grey bars are already drawn at the cheapest end of the market. At the other end of those ranges the gap roughly triples.
Creative cost never appears as one line. It sits across salaries, invoices, creator fees and somebody's Tuesday. Move the two sliders and compare.
Rates used here are published industry figures, not ours, so the comparison is yours rather than something we made up. If your setup is in house, price it against loaded salaries instead and the gap usually widens. Send us last month and we will do it properly.
Priced on its own because it is a job in itself. Sourcing, vetting, briefing, contracts, payments, chasing and usage rights, for a flat fee that does not move when you scale.
You approve the creators and the concepts, and you pay the creators directly at their own rate. Everything between those two things is ours.
See how creator management worksWe are in India, where what one junior costs you in New York pays for a senior team. We did not invent the exchange rate, we just bill in it.
The saving comes from where we are, not from who we put on your brand. The same strategist and editors stay on your account.
On every creative, at the same rate. Nothing in the price model rewards us for rushing work past you.
When something works we build the next generation of it properly. That is the difference between scaling an ad and wearing it out.
A full client plan and the wider portfolio are both one click away. Judge those rather than the invoice.
Two things worth opening before you decide anything.
The slate we built for Sakoon Nutrition. Seven video concepts, sixteen statics, every angle and full script, exactly as they received it.
Open the plan →Suntribe, Loam, Pretty Curly Girl, Bingeworthy and others, including the Swedish sunscreen brand we took from six live creatives to over a hundred.
Open the portfolio →Send us your account and what you need this quarter. We will come back with the angles we would test and what it would cost to make them.